Tim Burton’s leap to blockbuster scale with Batman was anything but serene. The production was repeatedly riven by clashes between Burton and producers Jon Peters and Peter Guber as the director tried to impose his shadowy, gothic vision on a property many expected to be bright and straightforward. Burton’s controversial decision to cast comedian Michael Keaton — a choice rooted in his belief that Batman should be an ordinary man in a costume — ignited intense fan animosity and breathless press debate. To blunt critics, Burton secured Jack Nicholson for the Joker, a marquee casting coup that helped sell the darker tonal shift to older audiences. The episode became emblematic of late-’80s Hollywood: a stylistic director fighting studio veterans and fandom over what a cultural icon should look and feel like — a conflict that ended up producing one of the most influential superhero films of the era.
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