William Inge's battles with Hollywood were not only emotional but also contractual and creative. When his screenplay for Bus Riley's Back in Town (1965) was altered by producers, Inge publicly disavowed the finished picture's writing, insisting that the credit be changed to the pseudonym "Walter Gage." The gesture was a deliberate act of protest — a way for a celebrated dramatist (Pulitzer- and Oscar-winning) to separate his professional name from a work he felt had been compromised. The move speaks to perennial mid-century tensions between playwrights who came to Hollywood with stage sensibilities and studio machinery that rewrote, reshaped, and commodified their scripts. The pseudonymous credit is a small but telling episode in Inge's later career: it illustrates his unwillingness to be passively altered by film factories and adds a quiet scandal to the record of a writer increasingly embattled with his industry.
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