Chinatown became so persuasive that many viewers treated its conspiracy as a dramatization of exactly how Los Angeles acquired its water. The film's artificial drought, land purchases through elderly or dead owners, and collusion between businessmen and city officials echo the real struggle over Owens Valley water and the San Fernando Valley land deals that accompanied the Los Angeles Aqueduct. But film scholars have emphasized that the movie is not a docudrama. It is set in 1937, decades after the aqueduct's construction, and its fictional Hollis Mulwray is an opponent of the proposed dam rather than a direct portrait of William Mulholland. Even the water shortage is transformed: the historical crisis of 1903 and 1904 involved faulty valves and gates that allowed water to escape into an overflow sewer and then the ocean, not a deliberate oligarch-engineered drought designed to force farmers off their land. Chinatown's power comes from blending several real episodes into one seamless noir conspiracy. The result feels like suppressed history, but it is better understood as a historically informed myth about Los Angeles's political culture.
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