The turning point reads like studio panic: a pre‑release assessment (a version without special effects) surfaced on Ain't It Cool News in January 2001 and reportedly alarmed Castle Rock. The studio commissioned two weeks of expensive reshoots in Los Angeles that pushed the production budget to roughly $100 million and forced the film to miss an intended April 2001 release. Cast members and the director later hinted at deeper dysfunction — Joe Pantoliano memorably said ‘‘a lot of hanky‑panky going on there’’ and called Underwood ‘‘victimized’’ by circumstances beyond the director’s control. When The Adventures of Pluto Nash finally opened on August 16, 2002 through Warner Bros., the fallout was brutal: $7.1 million worldwide on a $100 million budget, scathing critical reviews (6% on Rotten Tomatoes and a 12/100 on Metacritic), five Golden Raspberry nominations in 2003, and a place on later lists of the era’s costliest flops. The episode remains a cautionary tale about star‑driven script rewrites, mid‑production rewrites, and how studio panic can convert troubled development into an expensive public failure.
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