Broadway producer Allan Carr hired Jay Presson Allen to adapt Jean Poiret’s 1973 play La Cage aux Folles into a musical relocated to New Orleans. The proposed project, titled The Queen of Basin Street, assembled an impressive creative team: Mike Nichols was slated to direct, Tommy Tune to choreograph, and Maury Yeston to write the songs. The production collapsed before it could reach the stage after Nichols, who was also a producing partner of Allen’s husband Lewis M. Allen, became embroiled in a dispute over profits and quit. Tommy Tune followed Nichols, and Carr fired Jay Presson Allen. When Carr later produced a musical version of the property, Allen was forced to file suit to obtain payment for the adaptation work she had already performed. The episode exposed the precarious status of Broadway writers: even after doing substantial creative labor for a high-profile project, a writer could be dismissed when the producing alliance changed and then have to litigate simply to be compensated.
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