The film's creative power struggle continued into post-production. Peckinpah commissioned his longtime collaborator Jerry Fielding to score The Getaway, extending a partnership that had already produced music for Noon Wine, The Wild Bunch, Straw Dogs and Junior Bonner. After the second preview screening, however, McQueen disliked Fielding's music and used his influence to bring in Quincy Jones for a complete rescore. Jones supplied a jazzier sound, with harmonica solos by Toots Thielemans and vocals by Don Elliott, but Peckinpah regarded the decision as another example of the star overriding his director. Rather than quietly accept the change, Peckinpah took out a full-page advertisement in Daily Variety on November 17, 1972. The ad reproduced a letter thanking Fielding for his work, making his displeasure public within the trade press. Fielding and Peckinpah eventually collaborated again on two later films, but the episode exposed how McQueen's unusual compensation and final-cut arrangement allowed him to control major artistic decisions even when they directly contradicted the director's preferences. Jones's replacement score went forward and earned him a Golden Globe nomination.
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