The film's hurried ten-day New York production also generated a legal problem over where the fantasy sequences were filmed. In October 1976, lawyers for the Taconic Park Commission threatened William Osco with a lawsuit after learning that scenes had been shot at historical sites without the necessary permission. The dispute was a particularly awkward consequence of the production's shoestring, all-at-once approach: the filmmakers were living in the house used in the picture, working to a compressed schedule, and spending virtually the entire budget on photography before scrambling to finance post-production. Although the threatened action was not a fatal accident or supernatural curse, it added another layer of unauthorized-production trouble to a movie already facing distribution obstacles, competing rights claims, and later litigation over its hardcore recut.
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