In March 1979 Michael Douglas produced and starred in The China Syndrome, a taut drama about a near-catastrophic accident at a nuclear power plant co-starring Jane Fonda and Jack Lemmon. The film — praised as one of the most intelligent Hollywood efforts of the decade — opened to audiences only to have reality overtake fiction in a way no studio could have scripted: twelve days after the film’s release the partial meltdown at Three Mile Island occurred (March 28, 1979). The timing created an electric, almost supernatural aura around the picture. Suddenly a dramatized cautionary tale became a topical national flashpoint. Newspapers ran headlines juxtaposing reel and real radiation; broadcasters rushed the film’s experts and stars to discuss nuclear safety; and the movie’s publicity folded into a larger civic conversation about regulation, emergency planning, and the future of atomic power in the United States.
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