Jack O'Halloran, a former professional prizefighter, made his screen debut in Farewell, My Lovely as the hulking ex-con Moose Malloy. His physical presence was exactly what the production wanted, but Robert Mitchum later recalled that O'Halloran's temperament could be as intimidating off-camera as it was on it. According to Mitchum, O'Halloran was hired for $500 a week and, during one confrontation, actually struck one of the film's producers. Mitchum described the production as having seven producers—mockingly dubbed by the cast the 'Magnificent Seven'—and said O'Halloran seized the unfortunate executive and swung him around 'like an Indian war club.' When Mitchum tried to explain that the producer could simply be spoken to, O'Halloran reportedly replied that he had been crying too hard. The episode captures the combustible atmosphere surrounding a low-budget, independently financed period noir, where a former boxer with no acting experience was suddenly working among a large group of producers and established stars. O'Halloran nevertheless made a strong impression in the finished film and went on to appear in Superman and Superman II, but Mitchum's story remains one of the production's strangest examples of method-free, real-life intimidation spilling into the workplace.
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