One of early talkies' most notorious moments — James Cagney shoving half a grapefruit into Mae Clarke's face in The Public Enemy (1931) — has become Hollywood folklore, but the story of how that moment came to be is a tangle of competing recollections that turned a throwaway on-set prank into a permanent piece of cinema history. The grapefruit was a late addition; producer Darryl Zanuck later claimed he proposed it during a script conference, director William Wellman said the idea occurred to him when he saw the fruit on set, writers Glasmon and Bright insisted it traced back to real-life gangster Hymie Weiss, and Joan Blondell remembered it was Cagney's improvisation when he decided an omelet wouldn't read on camera. Mae Clarke herself later said she regretted ever agreeing to the bit and never expected it to be immortalized on film. Turner Classic Movies adds another layer: that the bit was a practical joke Cagney and Clarke played on the crew while cameras rolled and that Wellman kept the take. Even the human aftermath was oddly theatrical — Clarke's ex-husband Lew Brice reportedly delighted in the scene, seeing the film repeatedly for that moment. The multiplicity of credible but contradictory accounts has turned the grapefruit into a mini-myth: an on-screen act whose provenance remains unverified, emblematic of how small improvisations, studio opportunism, and conflicting memories can create enduring cinematic lore.
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