The Bonfire of the Vanities (producer Fred C. Caruso, director Brian De Palma) / 1990s
The attempted screen transfer of Tom Wolfe's 1987 bestseller turned into one of Hollywood's most notorious production disasters — and Fred C. Caruso, credited as a producer, is one of the figures Julie Salamon places squarely in the crossfire in her 1991 book The Devil's Candy. Shot at the tail end of the 1980s and released in 1990 by Warner Bros., Brian De Palma's adaptation suffered a toxic mix of creative quarrels, endless script rewrites, and heavy-handed studio meddling as executives pushed to tame Wolfe's satire for mass audiences. Salamon, who had exceptional access to the set and production offices, documented a parade of meetings, memos and confrontations: producers and studio executives demanding commercial fixes, a director defending his vision, and an author watching his novel transmogrified under corporate pressure. Caruso appears throughout Salamon's account as a key intermediary between De Palma, the studio, and the book's stakeholders — a producer trying to shepherd a highly combustible project that nonetheless lurched from one crisis to the next.
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