The Adventurers became an object lesson in how an ambitious studio production could collapse under the weight of its own material. Paramount had given director Lewis Gilbert a lucrative contract after the success of Alfie, and Gilbert chose to tackle Harold Robbins's sprawling 1966 bestseller, a lurid saga of political revolution, sexual exploitation, murder, dictatorship, and international jet-setting loosely inspired by Dominican playboy-diplomat Porfirio Rubirosa. Gilbert later said the novel was essentially impossible to adapt. He commissioned Robbins himself to prepare a screenplay, but rejected the first draft as "too dirty, too violent and too long." Despite that warning, the finished picture retained much of the book's sensationalistic excess, and Gilbert directed, produced, and co-wrote a film that stretched across Europe, New York, and Colombia, including Cinecittà, Venice, Bogotá, Cartagena, and the Andes Mountains.
The pre-release version ran approximately 205 minutes and was savaged at test screenings on March 4, 1970. Paramount performed a last-minute recut before the March 25 wide release, but the damage to the film's reputation was already done: critics Pauline Kael and Joe Morgenstern reportedly declined to sit through a second viewing after seeing the extended version. Reviews described the result as a "classic monument to bad taste," a parade of slaughter, sex, political clichés, and torpor, while Gene Siskel said it was violent to the point of obscenity and embodied why film companies were losing millions. Gilbert never escaped the film's failure. On the BBC program Desert Island Discs in 2010, he called it a "big, sprawling, very expensive film which was a disaster" and said, "I should never have made it. It's one I'm not proud of." Decades later, its sincerity, spectacular excess, and incompetent dialogue turned it into an unintentional cult comedy; The Official Razzie Movie Guide even ranked it among the ten best bad films ever made.
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