Being There (film) / Robert C. Jones / 1970s
When Being There (1979) reached the thorny business end of Hollywood authorship, Robert C. Jones — who had substantially rewritten the screenplay during production — was initially credited by the studio (United Artists–Lorimar Productions). What followed was a bruising, formal arbitration with the Writers Guild of America that culminated in an unexpected reversal: the WGA awarded sole screen credit to Jerzy Kosiński, the author of the novel on which the film was based. For Jones, a respected film editor-turned-writer, the decision was devastating. He later said that losing that credit was a turning point — “a dark day in my life” — and believed that his writing career would have been dramatically different had the studio credit stood. The dispute is a classic example of late-1970s credit wars, when studios, authors, and the guilds collided over the commercial and career value of a single name on the marquee; the fallout effectively pushed Jones back toward editing for the remainder of his career.
Follow the sources
Status and citations are supplied by the archive. AI concept art is an interpretation, not historical evidence.