During the 1971 production of Born to Win, Robert De Niro was reportedly nearly fired several times, despite being cast in a secondary role that would later become one of the film's most recognizable pieces of early screen work. De Niro was then a devoted student of acting teacher Stella Adler, and according to director Ivan Passer, he approached the part with an intensity that sometimes worked against the film's established hierarchy. Rather than quietly supporting George Segal and Karen Black, De Niro continually devised behavior and character details intended to make his own performance stand out, effectively trying to pull attention toward himself whenever he appeared on screen. Passer considered the repeated attempts disruptive enough that dismissal was seriously contemplated more than once. The episode captures an early version of the fiercely self-defining method that would later become central to De Niro's reputation: total immersion and aggressive character construction, even when the performer was not the star. Although he survived the production and remained in the finished film, the near-firings reveal how precarious his position still was before the breakthroughs that would make him one of the defining actors of New Hollywood.
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