Hollywood gossip rarely comes as blunt as this anecdote: when Pandro Berman was preparing a vehicle of Alice Adams for Katharine Hepburn, he and Hepburn tossed coins between William Wyler and George Stevens as potential directors. Stevens, who had not yet read Tarkington’s novel, later drove to Hepburn’s house and reportedly stumbled through the first meeting without discussing the book — a silence that so offended Hepburn that she later told Berman Stevens was 'the dumbest man she had met.' Berman rang Stevens to relay the barb with a mixture of incredulity and managerial awkwardness, telling him, 'Kate says you had a very pleasant evening, but you didn't say a word about the picture.' Rather than ending their working relationship, the incident became part of the behind‑the‑scenes lore of the production; Stevens went on to rework the screenplay, direct Hepburn in Alice Adams, and later collaborate with her again. The story endures as a revealing glimpse into Hepburn’s blunt personality, studio-era power dynamics, and the petty human moments that could follow director selection and casting decisions.
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