Principal photography on The Exorcist became so punishing that the production acquired a reputation for being cursed almost before the film reached theaters. Director William Friedkin and producer-screenwriter William Peter Blatty had initially planned a comparatively modest shoot, but the schedule eventually took twice as long as expected and the final cost rose to almost three times the original budget of approximately $4.2 million. The production was marked by unusual accidents, injuries to cast and crew, and deaths connected with people involved in the film, creating the kind of grim pattern that Hollywood folklore readily transforms into a supernatural story.
There was no verified evidence that demonic forces caused the mishaps, and many of the delays can be explained by Friedkin's notoriously demanding working methods, repeated takes, technical problems, and the film's elaborate effects. Nevertheless, the atmosphere surrounding the shoot reinforced the legend: the film dealt with possession, death, Catholic ritual, and the Devil, while its production repeatedly seemed to echo those themes through real-world turmoil. The curse story endured because The Exorcist became an enormous cultural event, allowing every accident, injury, and delay to be retold as part of a larger pattern rather than as the ordinary chaos of an unusually ambitious production.
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