In the mid-1970s Nancy Dowd penned an antiwar screenplay titled "Buffalo Ghost" after being commissioned by Jane Fonda. Rather than proceeding as Dowd envisioned, the draft was turned over to veteran screenwriter Waldo Salt and ultimately filmed as Coming Home. The creative handoff did not sit quietly: in a 1977 New York Times interview Dowd famously called the finished version "terrible," publicly disowning the shape the project took after her initial work. The episode captures a raw moment of New Hollywood friction — a high-profile commission from an A-list star, an outside writer brought in to recraft the material, and an original author left to watch her voice be reshaped on the way to the screen. The public rebuke exposed tensions around authorship, credit, and creative control at a moment when actors, writers, and directors were jockeying for influence over politically charged properties.
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