One of the production's most disturbing creative battles concerned the film's sexual-violence scenes. Screenwriter David Engelbach later said that his original script did not contain the rape sequences that became the film's most notorious material. He argued that his screenplay was meant to examine the failure of the criminal-justice system, the public's fear of crime, and the way Paul Kersey's revenge destroys what remains of his emotional life. After Michael Winner revised the script, the finished picture opened with an extended assault on Kersey's housekeeper, Rosario, followed by the rape and death of his daughter Carol. Engelbach was reportedly 'somewhat appalled' by how far the movie had moved from his intentions, while Winner defended the material as part of the film's hard-edged exploitation approach. Actress Silvana Gallardo described filming the assault as grueling; the sequence took approximately six days and she spoke with an actual rape survivor while preparing for it. Critics such as Roger Ebert condemned the result as morally repugnant, making the rewrite central to the film's enduring controversy.
Follow the sources
Status and citations are supplied by the archive. AI concept art is an interpretation, not historical evidence.