The production of End of the World became an especially revealing example of how low-budget filmmakers could use a prestigious name to disguise the realities of a bargain-basement science-fiction picture. Producer Charles Band, already operating in the world of exploitation and Z-grade genre films, recruited Christopher Lee by allegedly assuring him that the cast included established stars Arthur Kennedy, Richard Basehart, José Ferrer, and John Carradine. Lee later said the promise was made to him “quite categorically,” presenting those actors as signed and making the project sound like an ensemble production populated by respected veterans. According to Lee, however, the claim was completely untrue: none of those supposed co-stars had actually been secured in the manner represented to him. The deception mattered because Lee’s participation gave the film an aura of credibility that its modest production and thin material otherwise lacked.
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