One of the darker and most contested footnotes to Victor Fleming's legacy surfaced in James Curtis's Spencer Tracy biography, where actor Anne Revere is quoted as calling Fleming “violently pro‑Nazi” and saying he strongly opposed U.S. entry into World War II. Revere went further in other tellings, alleging that Fleming mocked Britain at the outbreak of war and even took a bet about how long the country could withstand a German attack. The charge, if true, would cast a shadow over a director celebrated for helming two of Hollywood's most cherished 1939 films, The Wizard of Oz and Gone with the Wind.
Historians and biographers have not accepted Revere's claim at face value. Michael Sragow, in his full Fleming biography Victor Fleming: An American Movie Master, documents reasons to doubt the story: Revere reportedly made the accusation in the context of bitter casting feelings after being passed over for The Yearling (1941) in favor of Flora Robson, a British actress. At the time of that casting decision Fleming was occupied directing Dr. Jekyll and Mr. Hyde (1941), a production that involved a British producer and a cast heavy with British and Commonwealth performers—an odd circumstance for a committed Anglophobe. Contemporary memory also undercuts the portrait of Fleming as a lone, virulent isolationist: his Bel Air Moraga Estate regularly hosted British and international figures (Vivien Leigh and Laurence Olivier among them), and he remained a central figure in MGM's cosmopolitan Golden Age circle. Because the allegation comes largely from a single participant with apparent motive and is contradicted by archival context and later biographical work, scholars label the episode controversial and unresolved rather than settled fact.
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