Long before David Lynch's 1984 Dune arrived at the box office, Alejandro Jodorowsky assembled one of cinema's most notorious 'what if' productions, and H. R. Giger was among the visionary designers Jodorowsky commissioned. Giger produced the Harkonnen Capo Chair and other furniture and concept pieces intended for Jodorowsky’s ambitious, ultimately abortive 1970s adaptation. Jodorowsky’s Dune famously never materialized, but Giger’s designs did not vanish: when Lynch later made his version of Dune he used only rough Giger concepts rather than the fully realized pieces Giger had created for Jodorowsky. The anecdote feeds into the larger mythos around Jodorowsky’s unmade epic—an artistic near-miss in which high-minded design work became orphaned by a project's collapse, and elements of that aesthetic later reappeared in less collaborative forms.
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AI concept artworkArchive Record · 1970s
The Harkonnen Chair and the Ghost of Jodorowsky’s Unmade Dune: Giger’s Designs Caught Between Projects
H. R. Giger / Alejandro Jodorowsky's Dune / 1970s
Long before David Lynch's 1984 Dune arrived at the box office, Alejandro Jodorowsky assembled one of cinema's most notorious 'what if' productions, and H. R. Giger was among the visionary designers Jodorowsky commissioned. Giger produced the Harkonnen Capo Chair and other furniture and concept pieces intended for Jodorowsky’s ambitious, ultimately abortive 1970s adaptation. Jodorowsky’s Dune famously never materialized, but Giger’s designs did not vanish: when Lynch later made his version of Dune he used only rough Giger concepts rather than the fully realized pieces Giger had created for Jodorowsky. The anecdote feeds into the larger mythos around Jodorowsky’s unmade epic—an artistic near-miss in which high-minded design work became orphaned by a project's collapse, and elements of that aesthetic later reappeared in less collaborative forms.
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