Jack Nance’s commitment to Eraserhead became one of the production’s strangest practical problems. He played Henry Spencer with a rigid, high, oddly sculpted hairstyle, and because filming proceeded in scattered bursts over several years, he retained the look throughout the film’s long gestation rather than allowing the character’s appearance to change. The schedule was so fragmented that a single scene involving Henry opening a door reportedly took a full year to complete: Nance was filmed opening the door, and only much later was he filmed actually entering the room. Lynch’s financial improvisation was equally extreme. During production lulls he delivered newspapers to raise money, while regular donations from Lynch’s childhood friend Jack Fisk and Fisk’s wife, actor Sissy Spacek, helped keep the cameras running. Nance’s own wife also donated her waitress’s income. The result was less a conventional shoot than a years-long underground operation held together by personal loyalty and sheer persistence.
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