Buck Henry's solo directorial debut became an eight-month production ordeal rather than the breezy political satire he had envisioned. Filming coincided with one of the most intense periods of rainfall in California history, and mudslides destroyed sets built for the fictional world of First Family. The damage forced the production to absorb delays and reorganize its shooting schedule, an especially costly problem for a film already dependent on a large ensemble of established comic performers. The weather was not the only obstacle: Gilda Radner remained committed to Saturday Night Live, and her television schedule caused several of her scenes to be postponed. With little time available for rehearsals and an increasingly fragmented shooting plan, Henry later described the experience as stressful and draining. His prior working relationships with Bob Newhart, Madeline Kahn, Radner, Harvey Korman, Rip Torn, Fred Willard, and the rest of the cast helped keep the production functioning, but the accumulated setbacks contributed to a strained shoot and a film critics regarded as dramatically and comedically disjointed. Despite the troubled production and hostile reviews, First Family ultimately earned approximately $15 million at the box office.
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