Eaten Alive was mounted in the aftermath of The Texas Chain Saw Massacre, with producer Mardi Rustam and co-writer Alvin L. Fast relying heavily on Hooper's newly established horror reputation to assemble a reported $600,000 budget. Instead of shooting in an actual Texas swamp, the production built its entire nightmare world inside Raleigh Studios in Hollywood, using a large soundstage pool as the swamp beside Judd's hotel. The artificial environment helped create the film's deliberately lurid, twilight atmosphere, but the production itself became contentious. Hooper later left the set shortly before filming was completed because of a dispute with the producers. The precise terms of the disagreement are not fully documented in the surviving account, but the rupture was serious enough to interrupt the director's participation near the end of production. His relationship with the cast apparently survived the conflict—Hooper specifically remembered working closely with Neville Brand to shape Judd—but the episode revealed the instability behind a low-budget production that was being sold on the strength of a young director's name. The film ultimately performed poorly and was repeatedly retitled in attempts to recover its costs, making the behind-the-scenes dispute part of a production that never achieved the commercial success its backers expected.
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