At the height of their fame a petty domestic decision nearly wrecked the partnership. In 1945 Bud Abbott hired a domestic servant who had previously been fired by Lou Costello; Costello took the slights personally and, according to contemporaneous accounts, refused to speak to Abbott except when they were performing. The split was not merely social: the duo made two 1946 pictures—Little Giant and The Time of Their Lives—in which they appeared as separate characters rather than as their familiar double-act, a reflected symptom of off-screen estrangement. The rift finally healed when Abbott suggested naming Costello's youth charity after his late son—the Lou Costello Jr. Youth Foundation—and the men reunited professionally on Buck Privates Come Home (1947). The episode exposed how fragile vaudeville-forged friendships could be under the American studio-and-tour machine, showing how personal slights could translate into altered casting, publicity headaches, and a temporarily fractured brand.
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