Annie Hall’s production generated small but pointed interpersonal rifts that circulated among cast and chroniclers. Director Woody Allen had initially wanted Federico Fellini for the lobby cameo about film criticism; when Fellini (and later Luis Buñuel) declined, Allen turned to Marshall McLuhan. McLuhan agreed, but the shoot proved awkward—biographer John Baxter reports that Allen “acted coldly” toward McLuhan, who had even flown in from Canada for reshoots. Other performers felt similar chill: Mordecai Lawner, who appears as Alvy’s father, later claimed that Allen never spoke to him during production. These anecdotes—told in contemporary interviews and recounted by later biographers—portray an on-set atmosphere in which Allen's famously neurotic onscreen persona crossed into real-life aloofness toward collaborators. While not a headline-making scandal, the stories fed a quiet narrative about Allen’s interpersonal style on set during the making of his breakthrough 1977 film, and they remain part of the film’s production lore.
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