John Waters's 1977 black comedy was made with the kind of shoestring ingenuity that could easily have turned into a production disaster. Art director Vincent Peranio constructed the ramshackle exterior of Mortville on a 26-acre farm near Hampstead, Maryland, owned by Waters's friend Peter Koper. The set was assembled largely from plywood, rubbish, and discarded materials that Peranio and Waters had collected around Baltimore, creating the deliberately filthy shantytown ruled by Queen Carlotta. The production had no comfortable studio infrastructure to protect it: production manager Robert Maier recalled that the cast and crew overwhelmed the farm's septic system, while heavy rains threatened to wash the entire exterior set away. The interiors were no easier. They were filmed in a 5,000-square-foot second-story loft in a rented Fells Point warehouse that was unheated, noisy, and poorly suited to filmmaking. Despite the logistical breakdowns, Maier remembered Waters as seemingly 'charmed' throughout the ordeal, an attitude that helped the production survive conditions almost as chaotic as the fictional Mortville.
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