Yesterday — the Danny Boyle‑directed 2019 fantasy about a world without the Beatles — traces back to an original screenplay by Jack Barth. When the project reached the stage of broader rewriting and reworking, Richard Curtis was brought on and produced a more conventionally structured script; the finished film credits Barth with a 'co‑story' credit. According to reporting summarized in Curtis's biography, that limited credit came 'reportedly at Curtis's insistence,' a formulation that has been read in some quarters as a quiet industry dispute over authorship and credit allocation. The matter highlights perennial tensions in film: originators of an idea can see their pages substantially reshaped during development, and credit battles — whether loudly litigated or quietly negotiated — speak to power dynamics among writers, star collaborators and established industry figures. The film moved forward (filming began in April 2018 and it was released in June 2019), but the credit line remained a talking point about how screenplays are adapted and credited in contemporary filmmaking.
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