Marjoe is not a typical behind-the-scenes profile; it is a filmed confession and an uncomfortable, methodical takedown of revivalist showmanship. Directed and produced by Howard Smith and Sarah Kernochan with the full cooperation of Marjoe Gortner, the film gives viewers unrestricted access to Gortner’s final revival tour in 1971 — Los Angeles, Fort Worth, Detroit and Anaheim — even as he privately admits on camera that he no longer believes and that much of his public ministry was deliberate performance. The documentary lays bare a seam of exploitation: Gortner recounts being ordained at age four, paraded across the American South beginning in 1949, and watched his parents reap what he later speculated may have been millions from his childhood pulpit. When the novelty faded at 14 his father left; Gortner ran away from the ministry at 16 and only returned as a young adult to earn a living, studying the stagecraft of entertainers like Mick Jagger to perfect the revival routine.
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