Ron Shelton’s 1989 film Blaze dramatizes one of mid‑century Louisiana’s most salacious political episodes: the governor‑stripper romance between Earl Long and Fannie Belle “Blaze Starr” Fleming, drawn from Blaze’s 1974 memoir. In the film — and in contemporary accounts — the relationship becomes entangled with real policy fights. Long’s inner circle is furious not only about the public affair but about the governor’s populist civil‑rights stances (including his opposition to literacy tests that disenfranchised Black voters). According to the record dramatized on screen, Long began to act unpredictably in the state house and on the stump; his staff, terrified that his behavior would wreck the administration, quietly had him committed to the state mental hospital in Mandeville. That intervention was less a medical emergency than a political move designed to neuter Long’s independence and to separate him from Blaze.
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