Henri Langlois was a founding figure of the International Federation of Film Archives (FIAF) in 1938, but by the late 1950s a bitter rift had opened between the flamboyant French collector and the increasingly professionalized archival community. Langlois’s deeply personal, ‘romantic’ stewardship — rescuing prints, accumulating cameras, costumes and ephemera, and privileging screenings and cinephile education over meticulous inventories — infuriated more methodical archivists who emphasized rigorous conservation standards. In September 1959 the dispute with FIAF became official, a breach that reflected deeper disagreements about how cinematic heritage should be preserved and who got to set the standards. The quarrel lingered for years and, according to institutional accounts, was only resolved long after Langlois’s death in 1977. The episode is a classic institutional feud: a battle between charisma and bureaucracy that shaped the modern field of film preservation.
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