The most vivid behind-the-scenes anecdote from the production involves the film’s titular rats. Barbeau recalled that the shoot was supposed to have some 50 trained rats, but when the time came there were only about 16 available and, she claimed, roughly half of those were already dead. The surviving rodents had reportedly been trained only to react to the smell of fish; to get them to swarm her for shots the crew would literally squeeze fish eggs over Barbeau so the animals would cling to her body. It’s an emblematic tale of low‑budget filmmaking pragmatism — and neglect — that mixes cold animal‑welfare concerns with the improvisational, often grisly solutions used on cheaply financed international shoots. While not a headline courtroom scandal, the anecdote has endured as a lurid illustration of how far productions sometimes pushed actors and animals to achieve a practical effect, and it remains one of the better-known, verified stories from the movie’s troubled Moscow shoot.
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