The low-budget Romanian shoots for Bloodstone and Bloodlust produced an unusually improvised makeup operation. Effects artists Wayne Toth and Norman Cabrera did not have a dedicated makeup workstation or trailer, so they applied vampire prosthetics wherever the production could find space: inside local residents' homes, at cave entrances, in cars, or literally by the side of the road. Anders Hove's Radu required four separate facial appliances—one each for the forehead, left cheek, right cheek, and chin—followed by cosmetic makeup intended to hide the seams. His hands originally required individual appliances on every finger, but the crew later devised full prosthetic gloves to reduce application time. Pamela Gordon's Mummy makeup was even more restrictive: her head-and-shoulder piece and facial appliance left her with almost no visibility, reportedly only a narrow slit for one eye, requiring crew members to escort her around the locations so she would not injure herself. The imagery looked elaborate on screen, but the process behind it was closer to mobile emergency surgery than a conventional studio makeup department.
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