René Clément’s 1952 wartime drama Forbidden Games arrived wrapped in controversy that is as instructive about postwar French cultural politics as it is about the film itself. Although the picture would go on to win the Golden Lion at the 13th Venice Film Festival and pick up a Special Award for Best Foreign Language Film at the 25th Academy Awards, its early festival life was combative: it was not submitted as France’s official Cannes entry and was instead screened “on the fringe of the Competition,” provoking what contemporaneous accounts called critics’ “howling protests” at the 1952 Cannes Film Festival. Venice organizers at first balked at accepting the film — reportedly because it had been screened at Cannes — only to relent and award it that year’s top prize, a decision that amplified the perception of festival politicking and ruffled national sensibilities.
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