Carrie’s filmmakers originally planned to open the movie with a miniature version of the White family home being bombarded and destroyed by stones falling from the sky. Special-effects supervisor Gregory M. Auer and art director Jack Fisk, who was also Sissy Spacek’s husband, designed the sequence as an eerie visual prelude to the supernatural violence that would follow. During the night the model house was supposed to be destroyed, however, a mechanical malfunction ruined the stone effect. Rather than abandon the shot, the production burned the miniature house down for real and ultimately deleted the stone-barrage material from the finished film because the tiny projectiles had photographed like ordinary rain. The original opening footage is now presumed lost, leaving the improvised miniature fire as one of the production’s stranger bits of behind-the-scenes history.
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