During the 1998 Manila shoot for Brokedown Palace, a string of candid magazine interviews by Claire Danes detonated into an international production controversy. In April 1998 Danes told Vogue the city was "ghastly and weird," and in a later October 1998 interview with Premiere she amplified the remarks—saying the city "smelled like cockroaches," that she saw people "with like, no arms, no legs, no eyes, no teeth," and claiming "there’s no sewage system and the people do not have anything." The comments provoked outrage among Manila officials, led city council member Kim Atienza and colleagues to frame the remarks as irresponsible, and culminated in a resolution to ban Danes and her films from the city. Danes issued an apology, explaining the cast had been exposed to Manila’s darker, impoverished locations while researching the film and insisting her criticism targeted places, not the Filipino people. The ban was officially proposed and, according to contemporary coverage, has not been formally lifted—leaving the film’s publicity forever tinged with a diplomatic spat between a Hollywood star and a host city.
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AI concept artworkArchive Record · 1990s
Claire Danes' 1998 Manila Remarks Spark City Council Resolution and Local Ban
Claire Danes / Brokedown Palace / 1990s
During the 1998 Manila shoot for Brokedown Palace, a string of candid magazine interviews by Claire Danes detonated into an international production controversy. In April 1998 Danes told Vogue the city was "ghastly and weird," and in a later October 1998 interview with Premiere she amplified the remarks—saying the city "smelled like cockroaches," that she saw people "with like, no arms, no legs, no eyes, no teeth," and claiming "there’s no sewage system and the people do not have anything." The comments provoked outrage among Manila officials, led city council member Kim Atienza and colleagues to frame the remarks as irresponsible, and culminated in a resolution to ban Danes and her films from the city. Danes issued an apology, explaining the cast had been exposed to Manila’s darker, impoverished locations while researching the film and insisting her criticism targeted places, not the Filipino people. The ban was officially proposed and, according to contemporary coverage, has not been formally lifted—leaving the film’s publicity forever tinged with a diplomatic spat between a Hollywood star and a host city.
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