Abby Mann took on one of the most notorious miscarriages of justice of late 20th-century America when he dramatized the McMartin Preschool case. What began in the early 1980s as frightening allegations of ritualized child abuse in a Los Angeles daycare exploded into a full-blown moral panic: therapists’ and interviewers’ leading techniques, suggestible children’s testimony, lurid claims of satanic ritual, and prosecutors who pursued sensational charges for years. The criminal proceedings became the longest and most expensive trial in American history, stretching through the latter half of the decade and ending with no convictions and many charges dismissed — a classic example of how mass hysteria and flawed forensic interviewing can manufacture evidence. Mann’s teleplay focused on the human and institutional damage—the ruined lives of the accused, the children whose testimony was later discredited, and the career prosecutors who were consumed by the case—presenting a sober, dramatized forensic critique of how an unmoored panic masqueraded as justice. The underlying allegations that fueled the prosecution’s narrative have been extensively discredited by journalists, legal scholars, and psychologists, and Mann’s film helped popularize the skeptical view that institutional zeal and dubious interviewing techniques, not a hidden ring of predators, drove the case’s momentum and destruction.
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