The sequel to Jaws was beset by turbulence even before cameras rolled: Steven Spielberg declined to return, the original hire John D. Hancock was judged unsuitable for the action-heavy production and was replaced by Jeannot Szwarc, and Roy Scheider—who had been contractually tied to the series—only agreed to reprise Chief Brody to resolve a lingering contractual obligation with Universal. Scheider’s participation was grudging; he clashed frequently with Szwarc, leading to several heated on-set exchanges. Like its predecessor, Jaws 2 struggled with the logistical nightmares of shooting on open water—principal photography moved to Navarre Beach, Florida to find safer depths—but saltwater continued to damage equipment and shark platforms. Universal sank nearly $30 million into the picture (making it the studio’s costliest production to that point), and while it earned impressive box-office receipts—becoming for a time the highest-grossing sequel in history—the acrimony among star, directors and studio left a sour aftertaste and strained relationships behind the scenes.
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