When producers of the two‑part, four‑hour TV disasterer Condominium set out to stage a convincing Category 4 hurricane on a sunlit backlot at Universal Studios in 1979, they didn’t lean on blue screens or miniature trickery alone — they turned to brute force. Executive producer Robert A. Cinader recruited the Los Angeles County Fire Department and, with special effects coordinator Dave Lopez, mustered three fire engines, a deluge truck, a portable deluge gun and eight firemen to pump an astonishing 9,500 gallons of water per minute into Falls Lake toward the boat housing Barbara Eden, Dan Haggerty and Ralph Bellamy. Wind machines, wave-makers and water cannons were cranked up against a blazing California sky; the meticulously staged assault of water and wind was so real that the effects ultimately capsized the boat in which the actors were shooting. The production notes make clear the showman’s logic: create visceral, practical chaos even when the weather won't cooperate — but the result was a very public, very physical near‑disaster on a television set.
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