Aladdin's road to becoming the first animated film to gross over $200 million domestically was paved with an ugly, high-pressure showdown between creatives and studio management. By April 1991 directors Ron Clements and John Musker had produced a story reel based on the Ashman/Menken treatment, but Disney chairman Jeffrey Katzenberg strongly disapproved of that version. The response was drastic: the production jettisoned multiple characters and story ideas and brought in screenwriters Ted Elliott and Terry Rossio to rebuild the script. According to accounts tied to the film's development, the production team restructured the entire story in roughly eight days—an extraordinary, deadline-driven rewrite that involved furious cutting, re-storyboarding, and retooling of character beats. The upheaval speaks to Katzenberg’s iron will and the era’s studio insistence on fast, commercially viable fixes; it also reveals how precarious a director’s control could be when studio executives demanded immediate, wholesale changes. The gamble paid off artistically and commercially, but the episode remains a stark example of the pressure-cooker environment of early ’90s Disney animation and the backstage clashes that shaped its final films.
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