Director Ridley Scott wanted the screenplay reshaped, and the pressure eventually broke the original writing partnership. David Peoples was brought in to rewrite Fancher's draft, leading Fancher to leave the project on December 21, 1980, although he later returned for additional work. Peoples' February 1981 version introduced or strengthened several elements that became central to the finished film, including the replicants' premature-aging crisis, Rachael's implanted memories, and the more emotionally complex confrontation between Roy Batty and Deckard. Dick, who had previously attacked Fancher's draft, was delighted by the rewrite and said it resolved the earlier problems and became a "beautiful, symmetrical reinforcement" of his novel. Peoples later pushed back against the idea that he alone had transformed the film, crediting Scott's constant involvement and noting that Harrison Ford and Rutger Hauer also contributed ideas to the dialogue. The episode illustrates how unstable the production's creative hierarchy was even before cameras rolled.
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