Kathryn Bigelow's small‑budget Iraq War drama began with an advantage many productions only dream of: initial cooperation from the U.S. Department of Defense, including permission to film at a real U.S. Army logistics base in Camp Arifjan, Kuwait. That cooperation collapsed during production when Pentagon film liaisons determined the crew was shooting scenes that had not been part of the originally approved screenplay. The military formally suspended its assistance, depriving the filmmakers of access to actual U.S. matériel and locations. The practical fallout was immediate and painful — instead of U.S. kit and bases, Bigelow and producer Nicolas Chertier had to rely on Royal Jordanian Army equipment and local support. The withdrawal forced changes to shooting schedules, logistics and authenticity strategies and exemplified an unusual production scandal: a high‑profile movie losing government backing mid‑shoot because creative needs outpaced the constraints of official clearance. The incident also deepened the production's dependence on Jordanian goodwill and financing, altering both the film's chain of custody for military props and its diplomatic relationship with local authorities.
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