Celia Adler's early life was marked by a very public domestic rupture: her parents, Jacob Adler and Dinah Shtettin, had married in London and emigrated to New York only shortly before Celia's birth in 1889. When Celia was still a young child Jacob Adler eloped with the actress Sara Heine, divorcing Shtettin. The episode was more than a private marital collapse because all three principals—Adler, Shtettin and Heine—remained fixtures in the same tight-knit Yiddish theater community in New York. The marriage and the elopement produced gossip and awkward professional realities: despite the divorce, Jacob continued to work with Dinah Shtettin onstage while Shtettin remarried actor-playwright Sigmund Feinman, who helped raise Celia. For the child who had been placed onstage as a prop at six months and given a role specially written for her at age four, the family split became part of the theatrical lore that surrounded the Adler name and shaped Celia’s fraught early apprenticeship in the male-dominated Yiddish stage.
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