In August 2001 Warlock Records issued Just Be Free, a collection of demos Christina Aguilera had recorded in 1994–1995 before she secured a major-label deal. Aguilera moved quickly to block what she regarded as an exploitative release of immature material recorded when she was still an unknown teenager. She filed suit against the label and the album’s producers seeking to prevent the distribution; rather than a drawn-out court fight, the parties reached a confidential settlement that allowed the record to come out while compensating Aguilera — the settlement included her lending name, image and likeness for an undisclosed sum. The episode is one of many examples of how early demo tapes and contractual gray areas have been monetized by smaller labels seeking to capitalize on a star’s later fame, forcing established artists to litigate to control their catalogue and public image.
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