Charley Varrick (1973) / Don Siegel / Walter Matthau / Clint Eastwood / New Hollywood
Behind Charley Varrick’s lean exterior lay a bit of off‑screen drama that typified New Hollywood’s prickly star‑director relations. Don Siegel originally conceived the title and the lead specifically with Clint Eastwood in mind; Eastwood reportedly accepted the part at one point but ultimately turned it down, allegedly because he felt Charley had no redeeming features. The role then went to Walter Matthau, an actor better known for comedy who by 1973 was attempting a string of tougher turns. Trouble arose after release when Matthau was publicly lukewarm — even bewildered — about the film. Siegel later asserted that Matthau “hurt the film's box‑office performance” by declaring he didn’t like the picture or understand it, an allegation Matthau undercut with a famous, cheeky note to Siegel (saying he’d seen it three times and, despite an IQ of 120, still wasn’t sure what was happening). The exchange crystallized an ugly frisson between actor and director and became part of why the picture, despite critical praise and Matthau’s BAFTA for Best Actor in 1974, underperformed commercially. The episode is a neat capsule of how star pronouncements and casting reversals could tangibly affect a film’s fortunes during the era.
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