Long before he became a two‑time Academy Award–winning composer, Gustavo Santaolalla was a conspicuous target of Argentina’s increasingly repressive military authorities. According to Santaolalla’s own account, he was first arrested in 1966 at age 15 not for political activism but for looking like a rock musician—long hair and an electric guitar made him suspect in the eyes of the junta. His father had to go to the detention site to retrieve him and demand an explanation. Those early intimidations were not isolated: Santaolalla says arrests continued through his adolescence, an experience that contributed to his decision to leave Argentina after the 1976 coup. The harassment of artists and youths for mere appearance and musical tastes was part of the broader climate of cultural policing under the National Reorganization Process; for Santaolalla it translated into exile, undocumented years in Los Angeles beginning in 1978, and a life that included bouts of poverty and dislocation before he rebuilt his career as a musician and producer.
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