After winning an Oscar for Pulp Fiction, Roger Avary was attached to direct a feature adaptation of Neil Gaiman’s The Sandman that would have merged the “Preludes and Nocturnes” and “The Doll’s House” storylines. The project promised to be a major step for Avary, yet it collapsed amid a very public creative dispute: executive producer Jon Peters and Avary disagreed over the film’s direction, and Avary was ultimately fired from the project. The dismissal was more than a lost opportunity; it redirected Avary’s trajectory (his meeting with Gaiman on the failed Sandman project subsequently led to their collaboration on Beowulf) and became an early example of the thorny, producer–director power struggles that can scuttle passion projects in Hollywood. The episode underscores how executive producers with clout — even outside the old studio system — can abruptly terminate director attachments, reshaping careers and film history in the process.
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