The production carried an unusually personal flavor: Jon Peters bought the screenplay as a starring vehicle for then‑girlfriend Barbra Streisand, only to have her bow out before filming. Streisand nonetheless kept a tie to the project — recording the torch ballad “Prisoner” for the soundtrack, which reached No. 21 on the Billboard Hot 100 — while Columbia pressed ahead and eventually cast Oscar winner Faye Dunaway. Production, which ran from October 17, 1977 to early January 1978 on location in New York and New Jersey, was dogged by reports of tension between Peters (the powerful, highly opinionated producer) and Dunaway. Those strained relations were widely reported at the time and feed into a larger late‑stage studio pattern where producers leveraged star packaging and creative control, producing acrimony on set when the assembled elements didn’t mesh. The friction added another layer to an already contentious development story that included mandated rewrites and the sidelining of Carpenter’s original script.
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