What began as a long‑gestating project from writer Neil Cuthbert and producer Martin Bregman (development traced back to at least 1983) metastasized into one of Hollywood’s most notorious production meltdowns. Castle Rock Entertainment and Village Roadshow shepherded the property into the late 1990s and early 2000s with Eddie Murphy attached; directors Rick Rosenthal and Peter Faiman had earlier been linked, and high‑end names such as Harrison Ford were rumored in the film’s periphery during decades of development. When Ron Underwood (fresh off Mighty Joe Young) signed on, he encountered a star repeatedly rejecting drafts — Murphy reportedly demanded a “straight” action script he could then “bring the comedy” to — and a revolving door of writers and fixes. Underwood later confessed he knew ‘‘we didn't have the kind of wit and the fun’’ the film needed, and that he had hired another writer during production to try to shore up the story while shooting continued.
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