John Truscott — the Australian production and costume designer who swept the 1967 Academy Awards for Camelot — carried a quietly intriguing cloud around his private life that resurfaced in Melbourne gossip decades later. Sheila Scotter, the flamboyant Melbourne fashion designer and founding editor of Vogue Australia, publicly claimed that she had a 13‑year relationship with Truscott and further alleged that he was bisexual but “practised only his straight side.” In the same breath Scotter asserted that Truscott had an affair with Vanessa Redgrave while the two were working together on Camelot in the mid‑1960s. The allegation links a high‑profile West End/film production with the kind of off‑set romantic intrigue that fuels celebrity legend.
Scotter’s statements were never supported by on‑the‑record confirmations from Redgrave or documentary evidence; they sit in the uneasy space between remembered private confidences and tabloid whispering. No lawsuits, public rebuttals, or production‑line fallout followed the claim, and Truscott’s reputation remained built around his design triumphs rather than any scandal. The only concrete, quietly odd coda is that Sheila Scotter is buried beside Truscott in the Dandenongs near Melbourne, a detail that has only deepened the rumor’s allure in Australian show‑biz lore. Historically, this episode remains uncorroborated gossip tied to the sensational aura of Camelot’s international production and the reticent personal life of a famed designer.
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